Creative Direction/ Design/
We started GRØSS magazine because no one is making a fine arts magazine that is fresh and culture swaying. We both wear every hat possible to make this happen and are constantly burning the candle at both ends.
The magazine has grown rapidly from a garage project and can be found in more than 30 countries.
The cover is unidentifiable and a blend of every image within the magazine. This issue was the first exportation of typography and imagery under GRØSS. Have a look at RELISH and GRØSS VOL. 2 to explore my development.